On Saturday, February 22, The Parallel Case of St. Louis held a Sherlockian Film Night at the Ethical Society of St. Louis. Joe Eckrich hosted the event with films from his extensive Sherlockian film collection. The program consisted of three films from three different eras and, naturally, a cartoon.
Up first was a film from 1932 naturally entitled Sherlock Holmes, starring Clive Brook (1887 – 1974). Brook first played Sherlock Holmes in The Return of Sherlock Holmes in 1929. This was the first sound Sherlock Holmes film, although a silent version was made for those theaters not yet converted to sound. It was actually this film which started the trend for giving Holmes a much older and dimmer Watson, played by H. Reeves-Smith.
In general, reviewers liked Brooks’ Holmes and he was given another opportunity with the film shown that night. Sherlock Holmes was produced by Fox and directed by William K. Howard. Brook was originally cast as Holmes because producer David O. Selznick though he looked like the Paget drawings, although Brook, along with most critics, failed to see the resemblance. Brook was essentially a stage actor of the old school and he often appeared as the perfect English gentleman.
In this film Watson is played by Reginald Owen, who a year later would play Holmes himself in A Study in Scarlet, and would go on to play Scrooge in A Christmas Carol.
By the way, in between his two Holmes films, Brook would play the detective in a revue Paramount on Parade. One of the skits featured in the film was Murder Will Out which combined two of Paramount’s successful series of films featuring Philo Vance played by William Powell and the other Dr. Fu Manchu played by Warner Oland. The sketch also included Sherlock Holmes played by Brook. Both Vance and Holmes are killed by Fu Manchu.
Sherlock Holmes contained a romance for Holmes which was not new, having been taken from the Gillette play and introduced in several previous movies. In addition, we are presented with a Holmes who has invented a gadget that produces an electric ray to immobilize automobiles. However, in spite of these anomalies the film was considered “great fun, moved at a fast pace and was far glossier that its British counterparts.”
Our next film was The House of Fear starring Basil Rathbone and Nigel Bruce. Rathbone and Bruce first played Holmes and Watson in two films produced by Twentieth Century Fox, The Hound of the Baskervilles and The Adventures of Sherlock Holmes, both in 1939. These were both set in the Victorian period. Afterwards Fox dropped the series and in 1942 Universal picked up the series and brought it forward to the current time. In the first three films Holmes faced off against the Nazis and, of course, won. After that it reverted to normal detective films and the fifth of these was The House of Fear (number 8 overall) produced in 1945 and directed by Roy William Neill.
A press release at the time confessed that attempts to modernize Holmes "to solve problems of the current war, in Canada and Washington, did not meet with the expected response from devotees of the Conan Doyle mysteries. Film fans want to see their Holmes and Watson in typical Doyle plots and in English settings where they belong."
The House of Fear is the nearest the series got to an old-fashioned, old dark house whodunit. The setting was a remote Scottish mansion perched on the cliff top with a nearby fishing village with quaint inhabitants and even quainter buildings from Universal’s Frankenstein set. It is loosely based on “The Five Orange Pips," very loosely.
It was now time for a cartoon and Joe chose “The Case of the Screaming Bishop," produced in 1944 and directed by Howard Swift. The best that can be said is that this was a seven minute wild and crazy Columbia Phantasy cartoon starring Hairlock Combs and Dr. Gotsum.
The final offering of the evening was “The Boscombe Valley Mystery” produced in 1968 as part of a series starring Peter Cushing and Nigel Stock.
In 1964-65 the BBC brought Sherlock Holmes to television in the person of Douglas Wilmer with Nigel Stock as Watson in a 13 episode series. Many, including many British Holmesians, believe Wilmer to have been an excellent Holmes. However, he was dissatisfied with many of the production values, including rehearsal time and the quality of the scripts. He would often spend hours rewriting them, so after one series he left to star in several Fu Manchu films in a very Holmes like character of Nayland Smith.
In 1968 the BBC decided to try again this time with Peter Cushing in the lead and Nigel Stock again as Watson. Cushing had previously played Holmes in the 1959 Hammer Films production of The Hound of the Baskervilles. The series was produced in color and 16 50-minute episodes were filmed. Unfortunately only six episodes have survived.
Cushing was a fan of Sherlock Holmes from his childhood. When he was approached to play the part in Hammer’s The Hound of the Baskervilles he accepted immediately. Cushing shared many qualities with the Great Detective, including a steely gaze, gaunt features and a preciseness of speech, although he did lack height. Cushing’s interpretation of Holmes is decidedly prickly in the Hammer Hound, but when he resumed the part for the BBC series in 1968 he presented a softer, more humane version of the character. Many consider the two-part Hound of the Baskervilles that was part of this series to be superior to his Hammer Hound.
That brought the evening to a close and everyone looked forward to the next film night.
Information provide at the film program and contained in this article come primarily from the book Starring Sherlock Holmes by David Stuart Davies, an excellent guide to Sherlockian film.